FOUR SQUARE
(Episode begins with an up close shot of
Isabel on a starry night.)
ISABEL: I’m finally
ready to let someone in. And I want him to be you.
ALEX: I’ve been
waiting to hear that, Isabel. And I want to be the only one for you, cause
you’re the only one for me.
(Michael appears
behind them as they kiss. Suddenly she is in the desert with all the symbols on
the ground. Michael is beckoning to her, then Alex.)
ALEX: Isabel. Isabel.
(At the warehouse.)
ALEX: Isabel, wake up. She’s moving around.
ISABEL: Ok. Ok.
(Isabel picks up a
phone and dials.)
(Outside the Harding
Residence, Michael and Maria are sleeping in the Jetta.)
MARIA: Hello?
ISABEL: Maria, are
you up?
MARIA: Yeah, we’re
awake.
ISABEL: She’s
leaving now
MARIA: We’re on it.
(In a hallway at school.)
LIZ: I knew you
weren’t really falling in love with her.
MAX: That’s the
truth, Liz. You’ve got to believe that.
LIZ: I do. And now
we know it’s really Nasedo.
MAX: And whoever
Nasedo really is, it’s using Tess’ body to get to me.
LIZ: Right. To
manipulate you.
MAX: I can’t control
myself when I’m with her.
(A phone rings.)
LIZ: Yeah, we’re in
position. Ok. We got it. She’s in the parking lot headed this way.
(They follow Tess
until she goes into the girls’ restroom.)
LIZ: Ok, I’ll take it from here.
MAX: Wait, I don’t
want you going in there alone.
LIZ: Max, she still
thinks I’m just your girlfriend. She’ll never suspect anything.
MAX: She’s
dangerous. Never forget that.
(In the girls’
bathroom.)
LIZ: Tess! I thought
I saw you come in here.
TESS: Look, Liz, I
thought we got everything straightened out last night.
LIZ: We did?
TESS: I mean about
Max. We’re going to try and be friends, right? All of us.
LIZ: Right, friends.
TESS: Then tell me,
why is everybody following me?
(Opening Credits)
(At a merry-go-round
somewhere.)
MARIA: So she didn’t
hurt you, or threaten you?
LIZ: No. She acted
totally innocent. I’m telling you, she has no idea that we found out about her.
MAX: We can’t trust anything she says.
MICHAEL: Well, maybe
we should trust her. This is the fourth alien we’ve been waiting for our whole
lives.
ISABEL: I don’t
think that anyone, or anything that would pretend to be a teenage girl in order
to seduce Max is on our side.
MAX: Isabel’s right.
It’s a shape-shifter. Who knows what other powers it has that we don’t have. The
three of us, no matter what we may discover about ourselves...we were raised
human. Nasedo’s an alien. Nasedo’s killed. And judging from the way I felt
when I was with Tess, it definitely has some kind of power over us.
ISABEL: Yeah, I felt
it too. Like I was drawn to her for some specific reason. Like I had to let her
in.
LIZ: Isabel, you have to fight it.
MAX: You too,
Michael.
MICHAEL: You just
want to deny who we really are?
MAX: I want us to
stay who we really are! Don’t you?
ALEX: I’m the one
least involved. The one she won’t suspect. I’ll get close to her.
ISABEL: No! Stay
away from her, Alex. Besides, we don’t even know if Nasedo is Tess anymore.
MAX: Could be anyone
at anytime.
LIZ: We can only
trust each other, now more than ever.
ALEX: We can’t just
sit around and wait for her to do something to one of us.
ISABEL: Max, Michael
and I will find out all we can about her, ok? We won’t give her the chance to
surprise us. Please, Alex, I don’t want anything bad to happen to you.
MARIA: Wait, what
are you guys going to do?
MAX: We’re going to
keep following her. Hope she reveals more to us before she finds out we’re on
to her. We still got the camera in her house, remember?
(At Sheriff
Valenti’s office.)
MR. HARDING: But
who? Who would plant this in my house?
SHERIFF: You say
you’re new in town?
MR. HARDING: That’s
right.
SHERIFF: House have
any previous occupants?
MR. HARDING: Brand
spanking new, Sheriff.
SHERIFF: You mind if
I ask what line of work you’re in Mr. Harding?
MR. HARDING:
Government consultant, the boring stuff, facilities management, that kind of
thing. No special clearances, no matters of national security, if that’s what
you’re thinking.
SHERIFF: You ever
have any contact with the FBI?
MR. HARDING: What? Oh,
Lord no, Sheriff. I’m just a guy who’s trying to do his job and get along in a
new town, that’s all. Nobody’s been in that house but me, my daughter and the
movers...oh, and a couple of her friends from school.
SHERIFF: I have
heard some stories about unscrupulous moving companies in town. Staking out
your place for future robberies, that sort of thing. I’ll tell you what, leave
your information with my deputy outside. I promise I’ll get to the bottom of
this.
MR. HARDING: Well,
thank you, Sheriff. I feel safe in your hands.
(At the
Administration office at school.)
ISABEL: Hi. I’m on the
Sunshine Committee this year, and we were wondering if we could just get...
ADMINISTRATOR: The
what?
ISABEL: The Sunshine
Committee. You know, kinda like the Welcome Wagon for new students. Helps them
get along and fit into a new place.
ADMINISTRATOR: I’ve
been here eight years. I’ve never heard of a Sunshine Committee.
ISABEL: I know. Isn’t
that terrible? A few of us though it was time to start one up. You can never
have too much sunshine, don’t you think? Anyway, there’s a new student that
just started here, Tess Harding, she’s our first project. And I though maybe I
could get some information about her from you. You know, her class schedule,
something from her last school...anything personal that might make her feel more
at home.
ADMINISTRATOR: Well,
I’ll have to get permission from the Vice Principal.
ISABEL: Right. Ok.
(Isabel goes behind
the desk, and pulls up Tess’ record while the Administrator is away.)
(At the Crashdown.)
LIZ: So that’s it. Science
Lab third period, hallway between fourth and fifth, and P.E.
MAX: I think that’s
all.
LIZ: And there was
no other contact? She didn’t even look at you?
MAX: Nothing.
MARIA: She’s playing
hard to get. It’s a classic move. She ignores you, thinking it’s going to make
you crazy and force you to go to her.
LIZ: Are you still
drawn to her, Max?
MAX: No.
LIZ: Hm.
MARIA: Which only
further necessitates the implementation of my plan.
MAX: Wait. What
plan?
MARIA: Oh, Operation
Never-Leave-Max-Alone-For-An-Instant. That way one of us is always around in
case she works the voodoo on you again.
MAX: I don’t need a
babysitter.
MARIA: No, you’re
right. What you need is a bodyguard - at all times.
MICHAEL: I don’t
cook for myself, you know.
LIZ: You know, Max,
Maria’s right. We don’t know what she’ll do to you if she ever gets you alone.
MAX: I told you, you
don’t have to worry.
LIZ: I know. Max,
I’m not saying any of this because I’m jealous. It’s just that...she’s an
alien, Max.
MAX: So am I.
LIZ: Yeah but, what
if she’s...
MAX: The bad kind? One
of the monsters people have been so afraid of since the crash?
LIZ: I can’t help
it. You know, no matter how much I get to know you, Tess, Nasedo, I...she
scares me.
MAX: That’s why we
won’t let her win. So go change, we’ll go back to the garage and watch her on
the monitor.
SHERIFF: Isn’t that
against the law, Mr. Evans? I wish you’d stop doing that...hiding things from
me. ‘Cause you see, I always know more than you think I do. Ed Harding found
that inside his house. Now I know you put it there, and I know it’s special
issue FBI equipment, so the question is: how’d you get your hands on it in the
first place? You know what it tells me? That Pierce and the alien hunting unit
of the FBI are here in Roswell in full force, and they’re paying special
attention to you. How am I doing? I need you people to remember something...all
of you. The more I know, the safer you’ll be.
MICHAEL: Don’t even
think about it Maxwell.
(At the Evan’s
residence.)
DIANE: Oh, look,
(laughing). Wait, look at this one.
TESS: Oh that is so
cute.
DIANE: Oh, gosh. Oh,
Izzy. Hi, honey. Your new friend, Tess, stopped by, and I just got to chatting,
and the next thing I know, I’m telling all kinds of stories about you and Max
when you were little.
ISABEL: What kind of
stories?
DIANE: Oh, um...the
road trip to Florida...and the time Max brought home that snake. Do you
remember that? Who could forget? Oh, and that silly clown show that the two of
you used to put on for us.
ISABEL: Mom, that’s
like our whole lives.
TESS: You’re so
lucky to have such a wonderful family, Isabel. There’s so many happy memories.
ISABEL: Yeah.
DIANE: Listen, I’m
sorry I rambled. Really. I, uh, I don’t know. I start looking at pictures and
the memories flood over me and I can’t stop talking. So, I got to get to the
market. You two have a good time, ok?
ISABEL: Ok.
DIANE: And, um,
Tess, welcome to Roswell.
TESS: Thank you Mrs.
Evans.
DIANE: Oh, please,
call me Diane, won’t you? And know that you’re welcome here anytime. Bye
sweetheart.
ISABEL: Bye. So I
didn’t really see you I school today.
TESS: I know, I saw
you at the Administration office but I didn’t have time to...
ISABEL: God.
TESS: I’m sorry...I
didn’t mean to make you nervous.
ISABEL: You don’t.
You don’t make me nervous.
TESS: I just want to
be completely honest with you, Isabel. I feel the closest to you. You know,
like we share something special. And that’s why I want you to know the truth. I
just don’t want you to hate me for it.
ISABEL: No, I...I
couldn’t
TESS: I have
feelings for Max, Isabel. Strong feelings. I know Max loves Liz. That’s what
everyone tells me. But don’t you ever get signals from someone Isabel?
ISABEL: Signals?
TESS: You know...
moments when you connect with someone. And there’s no mistaking what’s going
on. Like no matter who you may be with, or what you may think, that you and
this other person are destined to be together.
ISABEL: No! No, never.
TESS: Well, that’s
the way I feel about Max, and those are the signals that I’ve been getting from
him. Are you sure you’ve never felt that way about anyone? Pay more attention,
Isabel. There are signs all around you.
(Isabel’s bedroom.)
ISABEL: She really
scared me, Max. It was like I lost a few seconds of time, and when it was over,
I wasn’t even sure if what I remembered had happened or not. Is that what she
did to you?
MAX: Kind of. It was
like she could make my mind go places I wasn’t taking it.
ISABEL: How about
your body? I mean, did you feel like something inside of you was
changing...like waking up?
MAX: Something
primal.
ISABEL: Instinctive.
MAX: Something not
human.
(Michael opens the
window.)
MAX: What’s wrong?
MICHAEL: I don’t
know. You tell me.
ISABEL: I called
him. I didn’t think any of us should stay alone tonight.
(Isabel has a dream about her and Michael
kissing in the desert where the symbols are on the ground. She and Michael both
wake up gasping at the same time.)
MAX: Michael, what
is it?
MICHAEL: Isabel.
MAX: Are you ok? What
did you see?
ISABEL: It was only a dream.
MICHAEL: It was only
a dream.
(Downstairs at the
Evans residence. They are looking at Max’s drawing of the cave symbols.)
MICHAEL: That’s the
one.
ISABEL: Definitely.
MAX: And you’re sure
you both had the same dream: the rock formation, the map on the ground,
everything?
MICHAEL: Yeah.
MAX: Think! Was
there anything else, anything unusual? I mean...what were you guys doing out in
the middle of the desert?
ISABEL/MICHAEL:
Nothing!
ISABEL: Nothing
important. There was this one other thing...when Tess was here yesterday, when
she told me to look for signs, she made that symbol out of sugar cubes.
MAX: So it means
something. If we just knew how to read this!
ISABEL: Tell him, Michael.
MAX: Tell me what?
MICHAEL: I thought I
figured it out once, but…
MAX: But what?
MICHAEL: I was wrong.
ISABEL: What if you
weren’t? Michael used the V constellation to navigate the symbols.
MAX: How did you
know how to do that?
MICHAEL: I just
knew. But it didn’t work.
MAX: But what didn’t
work?
ISABEL: The night
you were drunk, Michael and I went to the public library. That’s where the
symbol was supposed to lead. We though that if Nasedo left us a symbol at the
cave, then we should send one back to him.
MAX: Why didn’t you
tell me about this, Michael?
MICHAEL: You mean why
didn’t I get your approval?
MAX: Do you realize
what you did? That’s why Nasedo is here. It’s why he’s pretending to be Tess. You
led him right to us.
MICHAEL: Yeah, I
thought that was the goal.
MAX: The goal is to
stay in control. It always has been. Discovery on our terms...no one else’s. I
mean, this whole search you’ve been on, didn’t you ever think it could lead to
this?
MICHAEL: Lead to
what? An answer to every question we ever had? Maybe Nasedo is here to make
things better. Oh, I forgot, what could be better than your comfortable little
life in Roswell, New Mexico. Why are you so scared to be alien?
MAX: Why are you so
scared to be human?
ISABEL: That’s
enough, both of you. Do you ever stop to ask how I feel? God. No, you’re too
busy deciding who’s right to notice that this is happening to me, too. Oh, God.
Whatever Tess did when she was here yesterday, the sugar cubes, the...I think
she made me have that dream.
MAX: Let’s just try
to be prepared. You never know when these dreams may come again.
(At school in the
Science lab.)
LIZ: There it is, Aries.
MAX: Michael’s been
doing this all his life, you know. Always thinking he knows better than us, but
always just getting us into more trouble.
LIZ: Families can be
hard.
MAX: I don’t even
know if that’s what we are. I mean, that’s what we’ve pretended to be for so
long, but what if Nasedo tells us something different. Does Michael even think
about these things?
LIZ: You are who you
choose to be. Just like...just like you’re with who you choose to be with.
MAX: I really want
to believe that.
LIZ: Let’s go look
it up. Let’s see...Aries, it’s the first sign of the Zodiac, the key
astronomical element in many ancient traditions involving, spring, the equinox,
pagan ceremonies, and even Indian fertility rituals. But it’s not quite the
same V shape you described.
MAX: Try creating a
constellation pattern for today’s date.
LIZ: Oh. What was it
like...um, you know, kissing her?
MAX: It was
upsetting. It made me feel things about myself I didn’t like. Like there was
this whole side of me I never even knew about.
LIZ: The alien side.
MAX: Maybe.
LIZ: Oh, wow, it’s
Venus. When it’s in the right place in the sky, it completes the V shape. It
started moving into this formation after the last full moon.
MAX: About the time
that Tess showed up.
LIZ: Oh my God, what
is she doing with Kyle?
MAX: Whatever it is,
it can’t be good.
(In a hallway at
school.)
MICHAEL: Hey.
MARIA: Hey right
back at you.
MICHAEL: I’ve been
thinking.
MARIA: Oh, great
this usually involves me having to get my car towed.
MICHAEL: What? I’m
talking about us.
MARIA: Us?
MICHAEL: Yeah, our
relationship.
MARIA: Wait, I’ve never heard you use that
word in a sentence before.
MICHAEL: Can we get
serious here?
MARIA: Whoa, are you
ok?
MICHAEL: I just...I
didn’t sleep much last night.
MARIA: Because you
were thinking about our relationship?
MICHAEL: Yeah.
(In the janitor’s
closet.)
ALEX: Whoa, hey what
is the emergency?
ISABEL: Alex, I’ve been thinking.
ALEX: Oh, this can’t
be good.
ISABEL: You know how
I said I wanted to take things slow?
ALEX: The word
glacial comes to mind.
ISABEL: Maybe it’s
time to melt the ice.
ALEX: Whoa, wh...
what?
ISABEL: I’m ready. For
a relationship, and I want it to be with you…not with anyone else I know.
ALEX: Well...there’s
someone else?
ISABEL: No! No,
absolutely not. Only you.
ALEX: Oh, well...you
know...
(In a hallway at
school.)
MICHAEL: I think
that we should only see each other.
MARIA: Wait. As
opposed to all the other relationships we’re having with people?
MICHAEL: What do you
mean by that?
MARIA: No...I mean
that we already are only seeing each other. Right?
MICHAEL: Yeah.
MARIA: Right.
MICHAEL: So?
MARIA: I mean,
unless you’ve got someone on the side.
MICHAEL: No!
MARIA: Ok.
MICHAEL: No. So. Well,
then if we’re already doing it, let’s make it official.
MARIA: Official.
Like going steady, or something?
MICHAEL: Going
steady.
MARIA: Ok.
MICHAEL: I just
don’t want anyone to ever come between us.
MARIA: Ok. You
should have more of these tortured sleepless nights.
MICHAEL: Let’s not
talk about last night anymore.
(In the janitor’s
closet.)
ALEX: This is
like...whoa, this is monumental. You know. I mean we...we’ve got to go about
this the right way. You know, romance. Um, how, uh, how about tonight?
ISABEL: How about
right now?
ALEX: Ok.
(They kiss. In the
hallway, Maria and Michael are also kissing, and drawing a crowd.)
MARIA: Michael.
MICHAEL: Let’s go in
here.
MARIA: Ok.
(They open the door
to the janitor’s closet where Alex and Isabel spring apart.)
ISABEL: Alex and I
are together now.
MICHAEL: Maria and I are going steady.
ISABEL: Great.
MICHAEL: Great.
MARIA: Must be
something in the water.
(At the Evans
residence.)
ISABEL: Thanks for
bringing me home. I’m sorry you didn’t get to finish eating your food.
ALEX: Oh, that’s ok.
I can have a Galaxy Melt at anytime. I know the cook, remember? Besides, that’s
what boyfriends are for.
ISABEL: I’m just so
tired.
ALEX: Well, you said
you didn’t sleep well last night...maybe you’re the one who’s hungry.
ISABEL: Oh, I
couldn’t eat right now if you paid me. I just...I just need to lay down. You
know, just take a little nap.
ALEX: You’re
beautiful, you know that? Sweet dreams.
(Isabel has another
dream of her and Michael kissing. She also sees an unborn child.)
(At Michael’s
apartment. He’s trying to map the location of the four squared symbol.) M
ICHAEL: Where the
hell are you?
(Tess shows up
outside his window, and draws the four squared symbol on the glass.)
MICHAEL: What does
that mean? Where is it?
TESS: You already know. You’ve been there
before.
(Michael has a
vision of himself as a child running past a sign for Puhlman Ranch.)
(At the Crashdown.)
MARIA: Come on, come
on, come on. What else?
LIZ: Um… She has a
3.0 average from one school. 3.2 from...and...what, she has a 3.4!
MARIA: Ok, enough
with the grade crap...any unusual evaluations? Like psyche stuff?
LIZ: My God, yeah,
here it is: she’s really a shape-shifting alien also known as Nasedo.
MAX: You won’t find
anything wrong in that file. Tess Harding is the perfect teenaged girl. Nasedo
covers his tracks.
(Kyle enters the
Crashdown.)
LIZ: Oh, he came. Look,
I’ve got to go talk to him about Tess.
MAX: He won’t listen
to you.
LIZ: You know, he
might. He trusted me once.
MARIA: Did you
listen to him when he warned you about Max?
LIZ: I can’t let him
just get sucked into this without trying. Uh, thanks for coming. Can we
talk?
KYLE: About what?
LIZ: Well, I saw you
with that new girl, Tess.
KYLE: Oh, man! What
a knockout, huh? Can’t beat a blonde. Oh, sorry.
LIZ: No, she
is...she is really nice. What were you guys talking about?
KYLE: Why are you so
interested?
LIZ: Well, it’s just
that I’ve heard some things about her.
KYLE: Oh yeah, what
things?
LIZ: Just, you know…
the way she treats guys. She like leads them on, and then she just drops them
cold.
KYLE: Yeah… I guess
it takes one to know one.
LIZ: Well, just be
careful with her. You know, if I were you, I would just stop seeing her
altogether.
KYLE: What, is this
like a jealousy thing?
LIZ: No.
KYLE: Ok, so it’s
just an everybody-deserves-to-be-happy-but-Kyle thing.
LIZ: No. No, Kyle. It’s
not. Please trust me, ok? I know it sounds strange, but I promise you it’s for
your own good.
KYLE: So it would
really bother you if I just spent a little more time with Tess? Say like we
happen to have a study date later tonight, or something?
LIZ: Kyle, there’s
things about her that you don’t even know.
KYLE: Well, I like
what I’ve seen so far.
LIZ: Just don’t be
alone with her, ok? She could be using you.
KYLE: That’s exactly
what I had in mind, but just in case you’re right, what about the library? Hmm?
Think I’ll be safe there?
LIZ: The public
library?
(At the public
library.)
LIZ: Do you really think she’s using Kyle as
bait, I mean, just to get us to follow her here?
MAX: It’s the only
thing that makes sense. Look, if this is a trap, I want you to get Kyle and get
out of here.
LIZ: But Max, that’s
why I’m here. If Tess tries any mind games, I’ll be here to snap you out of it.
MAX: It’s them.
LIZ: Why Kyle?
MAX: To make sure
we’d notice.
LIZ: Why doesn’t Nasedo come up to you all
this time?
MAX: Why doesn’t the
Sheriff just come and pick us up? Or the FBI? No one’s sure enough about us. Not
even Nasedo. The risk of exposure’s too great.
LIZ: Ok, you go
left, I’ll go right.
MAX: Wait, Liz.
LIZ: You’re the one
she’s after, remember?
KYLE: So...ancient
languages… what does this have to do with our English assignment?
TESS: Absolutely
nothing.
KYLE: I was hoping
you’d say that. T
ESS: There’s just
this one book I need for my history class.
KYLE: Well, what do
you say we start speaking the most ancient language known to man?
TESS: I think it’s
on the top shelf. Would you mind helping me up? I’ve almost got it.
KYLE: So, what
language is this?
TESS: It’s a lost
language.
KYLE: Then no one
will mind if we don’t find it.
TESS: Time to go.
KYLE: But we just
got here.
LIZ: What is it,
Max?
MAX: Something about
us. She wanted me to see it. That’s why she brought us here.
(In Max’s bedroom.)
MICHAEL: Puhlman
Ranch.
MAX: What?
MICHAEL: The four
squared symbol on the map, that’s where it is.
MAX: I’ve never even
heard of it.
MICHAEL: That’s
because the government took it over in 1947. Three guesses why.
MAX: Close to the
crash site?
MICHAEL: It was the
crash site, Maxwell. But it’s not on any maps any more. It’s like they erased
any trace of it. But I can find it. The cave painting will lead us right to it.
MAX: And you just
figured this out all by yourself
MICHAEL: Yeah.
MAX: Michael, if
Nasedo is doing anything to you, you can’t trust it.
MICHAEL: Hey, I
remembered it, ok? I had a flash. You’re not the only the only on who gets
them. So, what happened at the library?
MAX: Nothing.
MICHAEL: What she
just took Kyle there for no reason?
MAX: I said nothing
happened. We’ll talk to Isabel in the morning. You better spend the night here
again.
(Isabel is having
another dream; this time she and Michael are happy parents. She wakes up.)
ISABEL: You’ve seen
them too, haven’t you?
MICHAEL: The dreams.
ISABEL: The rock formation...the symbol.
MICHAEL: The two of
us.
ISABEL: The baby. I
think it’s all true, Michael. I think I’m pregnant with your child. How can
this be?
MICHAEL: Something
weird like this had to happen sooner than later. No matter what Max wants to
think, we’re not human, Isabel.
ISABEL: Oh my God,
Michael, what are we going to do?
(In Max’s room. He
is dreaming of Tess and the symbols.)
TESS: It’s time. You
understand, don’t you?
MAX: Tell me. Tell
me what I’m feeling.
TESS: I’ll show you
everything, and you’ll remember.
(They drive off into
the desert.)
MAX: This is it. This
is what Michael saw in his hallucination.
TESS: We’ve all seen
it. We’ve all been here before.
MAX: What do you
mean, “we”?
TESS: Hold me, Max. You’ll remember.
MAX: I remember
you’re a killer… starting from 1959.
TESS: What?
MAX: William
Atherton. The one who wrote the alien book? It was about you, wasn’t it? He was
your friend, but he threatened to expose you, so you killed him, right?
TESS: What are you
talking about?
MAX: Then who was
next? Everett Hubble’s wife? An innocent woman died just because she got in
your way.
TESS: I’ve never
killed anyone.
MAX: What about the
other hand print pictures Valenti told us about? And how many other victims
will there be after tonight? Alex?
Maria? Liz!?
TESS: Nobody has to
get hurt, Max.
MAX: Sure, until you
get what you want.
TESS: It’s not just
what I want, it’s what’s meant to be. It’s all in here, Max. Our destiny.
MAX: No! I am not
like you. I live in this world. It’s all I know! And I will not be a part of
anything as evil as you.
TESS: Is that what
you think I am?
MAX: Show me who you
really are. Don’t hide behind this face.
TESS: I’m not
hiding, Max.
MAX: I said, show
me! Shape-shift! Show me what you really look like...what I really look like.
TESS: God, Max, that’s not who I am. That's
not who I am. Think Max. You’ve seen my face before. You know who I am.
(Max has a vision of
himself coming out of the pod. Isabel and Michael were already out. There was a
fourth pod with a girl with blond curls. They left her there.)
TESS: You know who I
am now, don’t you. You understand our destiny.
MICHAEL: Hey. What
the hell did you do to him? To all of us?
MAX: Michael, stop
it. She’s not Nasedo.
ISABEL: Then who is
she, Max?
MAX: She’s one of
us.
(Scene fades out
with an overhead shot of the 4 aliens in the four square formation)